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Translating Yingxi: Chinese Film Genealogy and Early Cinema in Hong Kong, Journal of Chinese Cinemas, p.77 ,
, China on Screen: Cinema and Nation, pp.47-56, 2006.
, An Amorous History of the Silver Screen: Shanghai Cinema, pp.1896-1937, 2005.
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, Building a New China in Cinema: The Chinese Left-Wing Cinema Movement, p.148, 2002.
, , pp.1905-1949, 1977.
1995) underscores the positive effects of using the "Other" as an inspirational force to empower the subjected peoples, Occidentalism: A Theory of Counter-discourse in Post-Mao China ,
La compagnie cinématographique Lianhua et le cinéma progressiste chinois: 1930-1937, Arts Asiatiques, p.5, 2006. ,
Il genere wenyi : una esegesi del melodramma cinese, New Chinese Cinemas: Forms, Identities, Politics, pp.40-56, 1993. ,
It is necessary to note that since melodrama is to some degree a foreign concept, the Chinese translation is shifting, An Amorous History of the Silver Screen: Shanghai Cinema, vol.30, pp.1896-1937 ,
Note that the "traditional" chop-suey dish is not traditional at all, but instead a "construction" of the Chinese diaspora; see Gregory B. Lee, Chinas Unlimited: Making the Imaginaries of China and Chineseness, Floating on the Screen: Memories of My Life (Yinhai fanzhou -huiyi wo de yisheng ), 1987. ,
La compagnie cinématographique Lianhua et le cinéma progressiste chinois: 1930-1937, Arts Asiatiques, p.11, 2006. ,
, The Fragile Scholar: Power and Masculinity in Chinese Culture, 1997.
, Sun's commitment to both social progress and cinematic innovation led him to create a particular fi lm language that may be called "unoffi cial/popular discourse," which for my purpose, may be reformulated as "vernacular discourse, Zhang Zhen, An Amorous History of the Silver Screen: Shanghai Cinema, pp.296-297
, A Theory of Adaptation, 2006.
Le souffl e chinois, Cahiers du cinéma, 2003. ,
The Emergence of an Affective Medium in China, pp.1915-1945, 2015. ,
China on Screen: Cinema and Nation, 2006. ,
, Pang, Laikwan. Building a New China in Cinema. The Chinese Left-Wing Cinema Movement, pp.1932-1937, 2002.
, The Oxford Handbook of Chinese Cinemas, 2013.
A Companion to Chinese Cinema, 2012. ,
An Amorous History of the Silver Screen: Shanghai Cinema, pp.1896-1937, 2005. ,