Accéder directement au contenu Accéder directement à la navigation
Article dans une revue

Il bordo opaco. Pensare lo schermo, pensare la superficie

Abstract : The screen's frame outlines a separation, an ontological and semiotic cut between the real space and the view contained within its aperture. While it inherits such a border from the tradition of pictorial representation, the screen's surface constitute itself as an overlapping structure that encroaches and puts into question the existence of its own boundaries. Drawing on some references to the notion of "screen" in Merleau-Ponty's work, I would like to delineate and interrogate the peculiar nature of the borders that the screens ex-pose and im-pose to its surface. Addressing the notion of screen, as both an optical and conceptual apparatus, I aim at describing the way the "screen" and its "surface" can be thought as a topological figure, more as a cavity, a relief or fold, than as a frame of vision.
Type de document :
Article dans une revue
Liste complète des métadonnées

https://hal-univ-lyon3.archives-ouvertes.fr/hal-00996594
Contributeur : Anna Caterina Dalmasso <>
Soumis le : lundi 26 mai 2014 - 16:12:24
Dernière modification le : lundi 10 février 2020 - 12:17:20

Lien texte intégral

Identifiants

Collections

Citation

Anna Caterina Dalmasso. Il bordo opaco. Pensare lo schermo, pensare la superficie. Rivista di estetica, Rosenberg & Sellier, 2014, pp.53-70. ⟨10.4000/estetica.943⟩. ⟨hal-00996594⟩

Partager

Métriques

Consultations de la notice

229